SAT SAT-Critical-Reading : Section One : Critical Reading

  • Exam Code: SAT-Critical-Reading
  • Exam Name: Section One : Critical Reading
  • Updated: Sep 05, 2026
  • Q & A: 270 Questions and Answers

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SAT SAT-Critical-Reading Exam Syllabus Topics:

SectionWeightObjectives
Sentence Completion20%- Vocabulary and Sentence Logic
  • 1. Complete sentences with appropriate vocabulary
  • 2. Understand grammatical and logical relationships
Craft and Structure35%- Words in Context
  • 1. Determine word meaning from context
  • 2. Analyze rhetorical word choice
- Text Structure and Purpose
  • 1. Determine author's purpose and perspective
  • 2. Identify organization and development
- Cross-Text Connections
  • 1. Compare and contrast paired passages
  • 2. Synthesize information across texts
Information and Ideas45%- Central Ideas and Details
  • 1. Locate specific details and facts
  • 2. Identify main theme and summary
- Command of Evidence
  • 1. Interpret data from graphics
  • 2. Support conclusions with textual evidence
- Inferences and Implications
  • 1. Understand implicit meaning
  • 2. Draw logical conclusions
Passage Content Domains- History and Social Studies
- Science
- U.S. and World Literature

SAT Section One : Critical Reading Sample Questions:

Question 1

The main purpose of this story is to appeal to the reader's interest in a subject which has been the theme
of some of the greatest writers, living and dead--but which has never been, and can never be, exhausted,
because it is a subject eternally interesting to all mankind. Here is one more book that depicts the struggle
of a human creature, under those opposing influences of Good and Evil, which we have all felt, which we
have all known.
It has been my aim to make the character of "Magdalen," which personifies this struggle, a pathetic
character even in its perversity and its error; and I have tried hard to attain this result by the least
obtrusive and the least artificial of all means--by a resolute adherence throughout to the truth as it is in
Nature. This design was no easy one to accomplish; and it has been a great encouragement to me
(during the publication of my story in its periodical form) to know, on the authority of many readers, that
the object which I had proposed to myself, I might, in some degree, consider as an object achieved.
Round the central figure in the narrative other characters will be found grouped, in sharp contrast--
contrast, for the most part, in which I have endeavored to make the element of humor mainly predominant.
I have sought to impart this relief to the more serious passages in the book, not only because I believe
myself to be justified in doing so by the laws of Art--but because experience has taught me (what the
experience of my readers will doubtless confirm) that there is no such moral phenomenon as unmixed
tragedy to be found in the world around us. Look where we may, the dark threads and the light cross each
other perpetually in the texture of human life.
Why does the author believe he is justified in using humor in the work being referenced?

A. because there are no pure lines between Good and Evil or humor and tragedy
B. only because it is his artistic freedom to do so
C. just to show that he can master both the serious and humorous aspects of writing and to do so in a
singular work is commendable
D. because the human characteristics of Magdalen have to show both sides of humanity to be truly
representative and accepted as realistic by the reader
E. because this art must represent life and life is humorous


Question 2

Sales literature that provide excessively complex and irrelevant numbers tend to ______ the real facts
and generate sales by causing buyers to accept ______ data in lieu of the real and truthful information so
hidden.

A. define. . .questionable
B. obscure. . .spurious
C. confuse. . .representational
D. elucidate. . .faulty
E. hide. . .rational


Question 3

This passage discusses the work of Abe Kobo, a Japanese novelist of the twentieth century.
Abe Kobo is one of the great writers of postwar Japan. His literature is richer, less predictable, and wider-
ranging than that of his famed contemporaries, Mishima Yukio and Nobel laureate Oe Kenzaburo. It is
infused with the passion and strangeness of his experiences in Manchuria, which was a Japanese colony
on mainland China before World War II.
Abe spent his childhood and much of his youth in Manchuria, and, as a result, the orbit of his work would
be far less controlled by the oppressive gravitational pull of the themes of furusato (hometown) and the
emperor than his contemporaries'.
Abe, like most of the sons of Japanese families living in Manchuria, did return to Japan for schooling. He
entered medical school in Tokyo in 1944--just in time to forge himself a medical certificate claiming ill
health; this allowed him to avoid fighting in the war that Japan was already losing and return to Manchuria.
When Japan lost the war, however, it also lost its Manchurian colony. The Japanese living there were
attacked by the Soviet Army and various guerrilla bands. They suddenly found themselves refugees,
desperate for food. Many unfit men were abandoned in the Manchurian desert. At this apocalyptic time,
Abe lost his father to cholera.
He returned to mainland Japan once more, where the young were turning to Marxism as a rejection of the
militarism of the war. After a brief, unsuccessful stint at medical school, he became part of a Marxist group
of avant-garde artists. His work at this time was passionate and outspoken on political matters, adopting
black humor as its mode of critique.
During this time, Abe worked in the genres of theater, music, and photography. Eventually, he
mimeographed fifty copies of his first "published" literary work, entitled Anonymous Poems, in 1947. It
was a politically charged set of poems dedicated to the memory of his father and friends who had died in
Manchuria. Shortly thereafter, he published his first novel, For a Signpost at the End of a Road, which
imagined another life for his best friend who had died in the Manchurian desert. Abe was also active in the
Communist Party, organizing literary groups for workingmen.
Unfortunately, most of this radical early work is unknown outside Japan and underappreciated even in
Japan. In early 1962, Abe was dismissed from the Japanese Liberalist Party. Four months later, he
published the work that would blind us to his earlier oeuvre, Woman in the Dunes. It was director
Teshigahara Hiroshi's film adaptation of Woman in the Dunes that brought Abe's work to the international
stage. The movie's fame has wrongly led readers to view the novel as Abe's masterpiece. It would be
more accurate to say that the novel simply marked a turning point in his career, when Abe turned away
from the experimental and heavily political work of his earlier career. Fortunately, he did not then turn to
furusato and the emperor after all, but rather began a somewhat more realistic exploration of his
continuing obsession with homelessness and alienation. Not completely a stranger to his earlier
commitment to Marxism, Abe turned his attention, beginning in the sixties, to the effects on the individual
of Japan's rapidly urbanizing, growth driven, increasingly corporate society.
The author refers to "the orbit" of Abe's work (2nd paragraph) to emphasize that

A. the emperor is often compared to a sun.
B. his work covers a wide range of themes.
C. Abe's travels were the primary themes in his work.
D. Abe's work is so different from his contemporaries' that it is like another solar system.
E. conventional themes can limit an author's individuality.


Question 4

The following two passages deal with the political movements working for the woman's vote in America.
The first organized assertion of woman's rights in the United States was made at the Seneca Falls
convention in 1848. The convention, though, had little immediate impact because of the national issues
that would soon embroil the country. The contentious debates involving slavery and state's rights that
preceded the Civil War soon took center stage in national debates.
Thus woman's rights issues would have to wait until the war and its antecedent problems had been
addressed before they would be addressed. In 1869, two organizations were formed that would play
important roles in securing the woman's right to vote. The first was the American Woman's Suffrage
Association (AWSA). Leaving federal and constitutional issues aside, the AWSA focused their attention
on state-level politics. They also restricted their ambitions to securing the woman's vote and downplayed
discussion of women's full equality. Taking a different track, the National Woman's Suffrage Association
(NWSA), led by Elizabeth Stanton and Susan B. Anthony, believed that the only way to assure the long-
term security of the woman's vote was to ground it in the constitution. The NWSA challenged the
exclusion of woman from the Fifteenth Amendment, the amendment that extended the vote to
African-American men. Furthermore, the NWSA linked the fight for suffrage with other inequalities faced
by woman, such as marriage laws, which greatly disadvantaged women.
By the late 1880s the differences that separated the two organizations had receded in importance as the
women's movement had become a substantial and broad-based political force in the country. In 1890, the
two organizations joined forces under the title of the National American Woman's Suffrage Association
(NAWSA). The NAWSA would go on to play a vital role in the further fight to achieve the woman's vote.
In 1920, when Tennessee became the thirty-eighth state to approve the constitutional amendment
securing the woman's right to vote, woman's suffrage became enshrined in the constitution. But woman's
suffrage did not happen in one fell swoop. The success of the woman's suffrage movement was the story
of a number of partial victories that led to the explicit endorsement of the woman's right to vote in the
constitution.
As early as the 1870s and 1880s, women had begun to win the right to vote in local affairs such as
municipal elections, school board elections, or prohibition measures. These "partial suffrages"
demonstrated that women could in fact responsibly and reasonably participate in a representative
democracy (at least as voters). Once such successes were achieved and maintained over a period of
time, restricting the full voting rights of woman became more and more suspect. If women were helping
decide who was on the local school board, why should they not also have a voice in deciding who was
president of the country? Such questions became more difficult for non-suffragists to answer, and thus the
logic of restricting the woman's vote began to crumble
The author of the second passage would most likely see the work of the

A. NWSA as indispensable for "partial suffrages."
B. the NAWSA as important for the unity of the woman's suffrage movement.
C. Seneca Falls convention as the most important single event in the women's suffrage movement.
D. AWSA as crucial for the ultimate success of the suffrage movement.
E. NWSA as unimportant for the passage of the woman's voting rights amendment.


Question 5

Throughout history great civilizations including the Egyptians, Romans, and Greeks can trace their
downfalls to a certain societal ______ and general failing of moral values.

A. bliss
B. hierarchy
C. indifference
D. latitude
E. decadence


Solutions:

Question 1
Answer: A
Question 2
Answer: B
Question 3
Answer: E
Question 4
Answer: D
Question 5
Answer: E

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